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Guitarist Mick Taylor was neither an
original member of the Rolling Stones nor still in the band when it began
selling out sports stadiums in the late-'80s and '90s. But the sophisticated
jazz- and blues-influenced guitar licks Taylor added to such
classic albums as Sticky Fingers
gave the Stones an added dimension they lacked before and after him.
Michael Kevin Taylor was born Jan. 17, 1949, in Welwyn Garden City, England. He
grew up in Hatfield, a London suburb, and began playing guitar at age 9. Taylor
became interested in joining a rock band after his parents took him to see Bill
Haley & the Comets.
As a teen, Taylor played in bands called the Juniors and the Gods. In 1967,
after ace guitarist Peter Green left John Mayall's Bluesbreakers to form
Fleetwood Mac, Mayall chose Taylor as Green's replacement.
Taylor toured the United States with the Bluesbreakers and appeared on such
albums as Bare Wires and Blues From Laurel Canyon (both 1968). In
1969, he accepted the Rolling Stones' offer to replace the departing Brian
Jones, who died later that year. The Stones had already established their
reputation as one of rock's greatest bands and had just issued one of their best
LPs, Beggar's Banquet (1968). But Taylor quickly added his imprint on the
Stones' style and was present for the legendary concert tours, during their
1969–1974 heyday. He played on some of Let It Bleed (1969) and all of
the live disc Get Yer Ya-Ya's Out (1970).
Sticky Fingers (1971), was the first studio Stones' album for which he was present during the
entire recording. He added his famous vibrato effect to the blues lead guitar
line on "Sway" and handled most of the guitars on the quietly majestic
"Moonlight Mile." Perhaps Taylor's best-remembered Stones work was the
Santana-like lead guitar in the jam break of the jazzy "Can't You Hear Me
Knocking." On the Stones' classic 1972 double LP, Exile on Main Street,
Taylor co-wrote "Ventilator Blues" and contributed bluesy guitar to
such chestnuts as "All Down the Line" and "Soul Survivor."
Taylor plays wah-wah guitar on the hit single "(Doo Doo Doo Doo Doo)
Heartbreaker," from Goats Head Soup (1973), which also exhibited
Taylor's melodic touches on ballads such as "Winter." Taylor's final
LP as a Rolling Stone was It's Only Rock 'n' Roll (1974), which included
his long, jazzy solo on "Time Waits for No One"
Shortly after the album's release, Taylor quit the Stones. Many theories have
been offered for Taylor's departure, including conflict with guitarist Keith
Richards and Taylor's fear that he'd get caught up in the band's allegedly
drug-crazed lifestyle. Whatever the reason, Taylor's replacement, Ron Wood —
formerly of the Faces — brought the band a grittier sound.
In 1975, Taylor toured Europe in the Jack Bruce Band, led by former Cream
bassist Bruce. Four years later, he issued an eponymous jazz-fusion solo debut
that sold poorly in the punk-rock era. Taylor toured with the Alvin Lee Band in
the early '80s and did a reunion tour with the Bluesbreakers. He played on Bob
Dylan's Infidels (1983) and toured with the songwriting legend. During
the latter part of the '80s, Taylor formed a series of short-lived bands that
played blues-rock in eastern U.S. clubs.
He issued the live Stranger in This Town and in 1989 was inducted, with
the Stones, into the Rock and Roll Hall of Fame. In the early '90s, Taylor went
to L.A. and worked with the Textones' Carla Olson, the Jimmy Woods Band and
others. In the second half of the '90s, he returned to England to play blues
festivals with a touring band. In 1998, Taylor issued A Stones Throw and
toured in 1999. To Be Continued ..............
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